my sketch book (just human errors and mistaken machines)

Sunday, November 18, 2007

Mute Life Department




 

Mute Life Department, 2007, multimedia instalation, variable dimensions.

@ PS21 v0.1 exhibition, Nov. 2007, galeria Cozinha, Faculdade de Belas Artes da Universidade do Porto.

Sign language translator: Filipa Silva (Escola Superior de Educação do Instituto Politécnico do Porto).

Sunday, October 7, 2007

tut00024b

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screenshot
scratch my chip||.

tut00023b

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Saturday, October 6, 2007

prop01_exp004b

prop01_exp003

Friday, October 5, 2007

prop01_exp002

Tuesday, September 11, 2007

fear

 
In the year 2000 I started the new milenium with a six mounths permanence at St. António hospital in Oporto where I´ve been submited to a liver transplantation followed by a one mounth long coma. Before the surgery, as long as I had enough strength to hold my camera, I tried to capture all the process on tape. Now, more than seven years later, I finally decided to pick up the footage and make something to thank the destiny of being still alive.

hospital tv

Monday, September 10, 2007

puzzle from last year

Saturday, September 8, 2007

3komp diskfull

Sunday, September 2, 2007

Tuesday, June 26, 2007

Friday, June 22, 2007

hacking mr. kazimir

white_square_on_white_background

Thursday, June 21, 2007

moricode.png

moricode

mori_big.jpg

mori_big 0>1.jpg

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binary

postmodern criticism (ip*)








Along with a Graphical User Interface, a database, navigable space and simulation, dynamic paradigms such as chaos and complexity theories, and artificial life. It also forms the basis of a new field of scientific visualisation. Modern medicine relies on the visualisation of the body and its functioning. Similarly, modern biology depends on DNA and protein visualisation. But while contemporary pure and applied sciences, from mathematics and physics to biology and medicine heavily rely on data visualisation, until recently visualisation in the cultural sphere has been used on a much more limited scale, being confined to 2D graphs and charts in the financial section of a newspaper, or on occasional 3D visualisation on television to illustrate the trajectory of a space station or missile. I will use the term visualisation for the situations when quantified data which by itself is not visual – the output of meteorological sensors, stock market behaviours, the set of addresses describing the trajectory of a message through a computer network, and so on – is transformed into a visual representation. [2] The concept of mapping is closely related to visualisation but it makes sense to keep the two separate. By representing all data using the same numerical code, computers make it easy to map one representation into another: grayscale image into 3D surface, a sound wave into an image (think of visualisers in music players such as iTunes), and so on. Visualisation can then be thought of as a particular subset of mapping in which a data set is mapped into an image. Human culture practically never uses more than four dimensions in its representations because we humans live in 4D space. It is therefore difficult to imagine data in more than these four dimensions: three dimensions of space (X, Y, Z) and time. However, more often than not, the data sets we want to represent have more than four dimensions. In such situations designers and their clients have to choose which dimensions to use and which to omit, and how to map the selected dimensions. This is the new politics of mapping of computer culture. Who has the power to decide what kind of mapping to use? Which dimensions are selected? What kind of interface is provided for the user? These new questions about data mapping are now as important as more traditional questions about the politics of media representation, by now well rehearsed in cultural criticism (who is represented and how, who is omitted). More precisely, these new questions around the politics of quantified data representation run parallel to the questions about the content of the iconic and narrative media representations. In the later case, we usually deal with the visual images of people, countries and ethnicity, in the former case, the images are abstract 3D animations, 3D charts, graphs, and other types of visual representation used for quantified data.

Wednesday, June 20, 2007

panicscreenshot003

panicscreenshot002

...0123456789...

...0123456789...

Tuesday, June 19, 2007

untitled

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Monday, June 18, 2007

silent beats

silent beat 1silent beat 1
silent beat 1silent beat 1
silent beat 1silent beat 1
silent beat 1silent beat 1
silent beat 1silent beat 1

Sunday, June 17, 2007

experimentalist kitten

¶syztem¶mistake¶

Saturday, June 16, 2007

Tuesday, June 12, 2007

hacking mr.leo** _01 (ip*)

 
 
 
 
 
 
 
  **nick of a popular analog artist from italian renaissance

(this post has a bug that i will fix as soon as i can: when you try to open a second popup without closing the last one, it runs away to the back of you browser. so, please close each popup window before you try to open another one.)

hacking mr.leo** _02

process

Photo Sharing and Video Hosting at Photobucket

Photo Sharing and Video Hosting at Photobucket

Photo Sharing and Video Hosting at Photobucket

hacking mr.leo** _03

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Saturday, June 9, 2007

live chat geometry

double click/click

Tuesday, June 5, 2007

untitled

Photo Sharing and Video Hosting at Photobucket

Saturday, June 2, 2007

serendipity

Sunday, May 20, 2007

9.9.8.8.8_xxx/operative/blonde/systm




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